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The Magic Apple
Over the last 20 years, Brent Geris has built The Magic Apple into a cornerstone of the magic community, creating a place where magicians can connect, learn, and purchase the finest effects with confidence. Having been deeply involved in the magic scene ourselves, we have great respect for Brent’s dedication to running a brick-and-mortar magic shop with a community focus—a rare and valuable thing in today’s world. It’s Brent’s personal touch, expertise, and selection of top-tier magic that make this partnership a perfect fit.
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Experience Michael Gallo’s masterful take on the Silent Mora classic, Balls and Net. Uncover the fine details that make his handling exceptional, perfect for close-up or stage. Whether you’re a beginner or a pro, this must-learn routine will be a cornerstone of your magic for years to come. Start learning with Mike today!
Alain Nu riffles through a book while a spectator calls stop — anywhere they like. They lock in a word. Then a second spectator does the same. No fishing. No stalling. No delay. The mindreading begins and both words are revealed, clean and direct– a perfect thunderbolt. This is hard-hitting mentalism at its finest — and Alain breaks down every nuance that makes it land. Watch it today.
Danny Archer pulls out a silk handkerchief and stuffs it through his fist — and right before your eyes, it changes color. Then he does it again, sleeves rolled up, nothing to hide. Clean, visual, and utterly baffling, this walk-around worker plays big in any setting. Danny shows you all the details on how to build and achieve this perfect opener for stage or close-up. Watch it today.
Magic is in the air! This month’s Member Mastermind kicks off in style as Robert Battle returns with a bold twist on magician‑versus‑gambler — his own “Magician vs. Magician.” Larry Mota steps into the spotlight, testing his brand‑new script featuring Three‑Fly and The Andalusian Challenge. Richie D unveils his “Vegas Epic,” blending charisma and mental mastery in true Richie fashion. Steve Feldman debuts a clever, pun‑filled routine as he sets out to “Save the Sea Mammals.” And closing the show, Lou Entin puts his spin on Money in the Middle with his playful creation, My Monkey in the Middle. Catch the replay to see these fearless members share fresh magic, bold ideas, and big creativity — and get inspired to take the stage next month yourself!
Dorian Rhodell tips a brilliantly simple fix for one of magic’s most visual money miracles. Starting with a “stack of misprints,” you repair a single bill and hand it out—clean, impossible, and completely justified. No double moves, no awkward repeats—just seamless, organic visual magic that ends with a real keepsake in your spectator’s hands. Watch this one and see how Dorian turns a classic quick-change into pure confidence onstage or in the real world.
Alex Ramon’s take on the Rising Card is pure visual poetry. Three freely chosen cards slowly rise—one by one—from a deck sealed inside its box, floating on a ribbon the spectator holds. It’s a miracle that feels weightless, elegant, and utterly impossible. Just note: this one demands some serious DIY ingenuity (unless you snag the pre‑made apparatus). Either way, once you see it, you’ll want to make it your own.
Step into the mind of Christopher Carter—a master mentalist and keynote speaker who’s spent four decades transforming psychology, theater, and human connection into experiences that defy logic. In this rare interactive event, you’ll discover how stories, suggestion, and body language can shape what we believe and how we connect. It’s not a lecture. It’s not just a show. It’s a living conversation about how people think, communicate, and create meaning—wrapped in laughter, insight, and moments of pure astonishment.
Danny Archer’s “Pick A Coin, Any Coin” turns a simple, fair choice into a mind‑bending mystery. A spectator signs a coin and drops it into a pouch filled with identical coins—mixed, shaken, and lost beyond reason. Yet without a glance, you reach in and pull out their exact coin. No guesses, no hesitation, and no special bags—just undeniable proof that the impossible can happen. Direct, deceptive, and effortless to reset—watch it today and see how clarity is the fastest path to the miraculous.
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Three little white balls, two hands, ten fingers — and one of the toughest sleight-of-hand feats around. A ball is set down, then another, then a third stacked on top, and with the smallest wiggle, one of them visibly travels across to join the others. It happens again, and again, each time daring the crowd to catch the moment it moves. Then comes the real test: a ball drops into the pocket right in front of a spectator's eyes — and somehow, all three balls are still there. Danny Archer's 3 Ball Routine — watch it now.
A tiny sponge ball appears from nowhere, growing and multiplying at a snap of the fingers. Two spectators are pulled in and asked to squeeze — and each ends up holding a ball that was never placed in their hand. The count keeps climbing, one ball at a time, until three people are holding sponge balls that seemingly appeared from thin air. Then a final spectator gets to choose, again and again, which ball vanishes next — and no matter what they pick, the balls keep disappearing into thin air. Nathan Kranzo's Sponge Balls routine — watch it and see why it's one of the best reactions in magic.
The spectator grabs a single suit, orders it Ace to King, and spells a value of their own choosing to the bottom of their pack — all out of sight of the magician, so nothing is telegraphed. Two more silent spells layer on top, each spectator ending up somewhere different and unknown to the performer. Then a single number, called out at random, sends everyone counting down together — and the card that surfaces matches the value each of them started with. Alain Nu's 13 Card Mystery works whether it's one spectator or a room full of them — watch it and see the sync land.
A book test with no book — just a single magazine page. The magazine is flipped through, a spectator calls stop, and that one page is torn out and torn again into thirty-odd scraps. One piece is randomly selected, and the spectator is free to choose any word on either side of it — one word out of everything on that page. They never say it, never write it, never narrow it down, and the word gets pulled out of the air anyway. Nathan Kranzo's Tearify — you have to see this one.
A spectator calls stop wherever they like, signs their card, and watches it get sealed inside a clear luggage tag—then sandwiched between two jokers for extra security. But baggage doesn't always stay where you put it. The card disappears from between the jokers and turns up buried in the deck, then keeps flipping over every time a little turbulence hits. For the finish, the spectator holds everything themselves—and the signed card makes one last flight, arriving safe inside the sealed tag in their own hands. John Guastaferro's Lost & Found—watch it today and take the trip.
A stack of slips — written ahead of time by the performer's kids and sister-in-law, then mixed into mugs so no one knows what's inside — sits in full view. One slip is pulled at random and shown only to the spectator, who reads it and keeps a date in mind while the performer's head stays turned. He writes an impression, then asks her to simply say "January, February, March" out loud — twice — and changes his mind based on something in her voice, committing to a new answer. When both are opened, his second thought is the date she was thinking of: January 21st. Nathan Kranzo's Predicted Thought — watch it now, the second-guess is the best part.
A playing card is selected and returned to a deck of cards. The cards are shuffled face up into face down making a mess of the cards. A random card is handed to the spectator, they wave this card over the deck. The deck is now completely corrected, all cards now facing the same way and the spectator is holding their card. Everything is now as it was at the beginning of the effect. (expert tips on the slop shuffle)
Michael Ammar's 4 Minutes of Fame hands the magic to your spectator — literally. Three cups. One ball. The spectator does all the mixing, all the shuffling, all the handling — yet the impossible unfolds anyway. A ball appears under all three cups. Three balls impossibly converge under one. Then a jaw-dropping finale leaves everyone stunned — including the person who just did it. Works for any crowd, any skill level. Watch today and discover why this four-minute miracle belongs in every performer's arsenal.
Four quarters. Two business cards. One impossible journey. Watch as each coin vanishes cleanly and invisibly travels—one by one—until all four impossibly gather under a single card. Direct, visual, and relentlessly deceptive, this is Mike Gallo’s Sympathetic Coins in its purest form. Hit play and see why this classic still floors real audiences.
A simple business card becomes a mind-reading moment you can carry anywhere. A spectator freely draws a picture, loses it in a small stack, and never lets it out of their sight—yet you commit to a drawing of your own. In the end, both images match perfectly. Direct, personal, and built for real-world performance, Danny Archer’s Drawing Duplication is a clean, impossible hit that leaves them holding the proof—and your card. Watch it now and add a reputation-maker to your pocket.