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The Magic Apple

Over the last 20 years, Brent Geris has built The Magic Apple into a cornerstone of the magic community, creating a place where magicians can connect, learn, and purchase the finest effects with confidence. Having been deeply involved in the magic scene ourselves, we have great respect for Brent’s dedication to running a brick-and-mortar magic shop with a community focus—a rare and valuable thing in today’s world. It’s Brent’s personal touch, expertise, and selection of top-tier magic that make this partnership a perfect fit.

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Aaron Fisher’s The Long & Winding Trick is a bold departure—no flashy four-of-a-kind, just pure structure, surprise, and sleight-of-hand that hits different—and once you see why, you’ll never look at your Aces the same way again. Watch now.

Turbo-charge a classic. In Mike Powers’ World’s Fastest 21 Card Trick, a freely mixed packet, a fair peek, and a buried selection collide with break-neck dealing—then BAM: one card flips the script and the trick is over. No endless columns, no fishing—just a crisp, impossible revelation that slays live or on camera. Learn it today and retire the “boring” version for good.

Invite your spectators to freely touch any cards in a spread. No forces—and when the selections are revealed, they form a perfect four-of-a-kind. Discover the hidden touches that make this stunning effect not just possible—but practical. Add this miracle to your repertoire and deliver jaw-dropping reactions with nothing more than a deck of cards.

In Jon Armstrong’s Cut Cards, you remove a prediction from the deck and sandwich it between two blank cards. You then invite several spectators to freely name any playing card—no forcing, no equivoque. When the blanks are lifted, the isolated prediction matches their choice perfectly. While it does require solid intermediate card-handling, the jaw-dropping payoff makes every moment of practice more than worth it.

Lee Asher’s Thunderbird turns a simple ace production into a showstopper. With casual ease, three aces appear—then, on a bold “one, two, three,” the final ace strikes like lightning. It’s fast, flashy, and built to leave jaws on the floor.

Want to amaze and amuse? "Bughouse Poker" is the ultimate poker routine—sharp, witty, and packed with audience interaction. Loved by Aaron Fisher and Lee Asher, this classic from Lou Brooks is easy to learn and unforgettable to perform. Add this crowd-pleaser to your repertoire today!

Four silver coins and four Chinese coins, each wrapped in separate handkerchiefs, instantly switch places—right in your spectators’ hands! This stunning, nearly self-working effect is perfect for parlor magic. Easy to learn, impossible to forget!

Watch as red, white, and green casino dice transpose from hand to hand, pocket to hand, and finally transform into a fistful of mini dice. In "A Trick to Die For," Mike Gallo breaks down every move with clarity, making this stunning routine easier than ever to master. Add it to your repertoire today!

Aaron will reveal recent training advances that make it easier than ever to master this truly invisible pass, along with his favorite tricks for using the GHP to make visual card magic miracles.

A book test with no book — just a single magazine page. The magazine is flipped through, a spectator calls stop, and that one page is torn out and torn again into thirty-odd scraps. One piece is randomly selected, and the spectator is free to choose any word on either side of it — one word out of everything on that page. They never say it, never write it, never narrow it down, and the word gets pulled out of the air anyway. Nathan Kranzo's Tearify — you have to see this one.

Cards as an art form: the reds and blacks are the colors, and shuffling them face up and face down is mixing the palette. The deck becomes the brush, the close-up pad becomes the canvas, and a few casual strokes leave four aces standing on the mat. A few more, and two complete royal flushes appear beside them — painted into place one stroke at a time. Doug Conn's Flush Brush — watch it now, then watch it again.

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